Which, you know, maybe. Maybe that ain’t so bad after all.
“C’mon, Manchee,” I say, “let’s go get some food.”
“Food, Todd!” he barks along at my heels.
“I wonder how Viola’s day was,” I say.
And as I step towards the entrance to the barn I realize one bit of Noise is separating itself from the general murmuring outside.
One bit of Noise lifting from the stream.
And heading for the barn.
Coming up right outside it.
I stop, deep in the dark of the barn.
A shadow steps into the far doorway.
Matthew Lyle.
And his Noise is saying, Ye ain’t going nowhere, boy.
“Back! Back! Back!” Manchee immediately starts barking.
The moons glint off Matthew Lyle’s machete.
I reach behind me. I’d hidden the sheath under my shirt while I worked but the knife is definitely still there. Definitely. I take it and hold it out at my side.
“No old mama to protect ye this time,” Matthew says, swinging his machete back and forth, like he’s trying to cut the air into slices. “No skirts to hide ye from what ye did.”
“I didn’t do nothing,” I say, taking a step backwards, trying to keep my Noise from showing the back door behind me.
“Don’t matter,” Matthew says, walking forward as I step back. “We got a law here in this town.”
“I don’t have no quarrel with you,” I say.
“But I’ve got one with ye, boy,” he says, his Noise starting to rear up and there’s anger in it, sure, but that weird grief’s in it, too, that raging hurt you can almost taste on yer tongue. There’s also nervousness swirling about him, edgy as you please, much as he’s trying to cover it.
I step back again, farther in the dark.
“I ain’t a bad man, you know,” he says, suddenly and kinda confusingly but swinging the machete. “I have a wife. I have a daughter.”
“They wouldn’t be wanting you to hurt no innocent boy, I’m sure–”
“Quiet!” he shouts and I can hear him swallow.
He ain’t sure of this. He ain’t sure of what he’s about to do.
What’s going on here?
“I don’t know why yer angry,” I say, “but I’m sorry. Whatever it is–”
“What I want you to know before you pay,” he says over me, like he’s forcing himself not to listen to me. “What you need to know, boy, is that my mother’s name was Jessica.”
I stop stepping back. “Beg pardon?”
“My mother’s name,” he growls, “was Jessica.”
This don’t make no sense at all.
“What?” I say. “I don’t know what yer–”
“Listen, boy!” he yells. “Just listen.”
And then his Noise is wide open.
And I see–
And I see–
And I see–
I see what he’s showing.
“That’s a lie,” I whisper. “That’s a ruddy lie.”
Which is the wrong thing to say.
With a yell, Matthew leaps forward, running towards me the length of the barn.
“Run!” I shout to Manchee, turning and making a break for the back doors. (Shut up, you honestly think a knife is a match for a machete?) I hear Matthew still yelling, his Noise exploding after me, and I reach the back door and fling it open before I realize.
Manchee’s not with me.
I turn round. When I said “run”, Manchee’d run the other way, flinging himself with all his unconvincing viciousness towards the charging Matthew.
“Manchee!” I yell.
It’s ruddy dark in the barn now and I can hear grunts and barks and clanks and then I hear Matthew cry out in pain at what must surely be a bite.
Good dog, I think, Good effing dog.
And I can’t leave him, can I?
I run back into the darkness, towards where I can see Matthew hopping around and the form of Manchee dancing twixt his legs and swipes of the machete, barking his little head off.
“Todd! Todd! Todd!” he’s barking.
I’m five steps away and still running when Matthew makes a two-handed strike down at the ground, embedding the tip of the machete into the wooden floor. I hear a squeal from Manchee that don’t have no words, just pain, and off he flies into a dark corner.
I let out a yell and crash right into Matthew. We both go flying, toppling to the floor in a tumble of elbows and kneecaps. It hurts but mostly I’m landing on Matthew so that’s okay.
We roll apart and I hear him call out in pain. I get right back up to my feet, knife in hand, a few metres away from him, far from the back door now and with Matthew blocking the front. I hear Manchee whimpering in the dark.
I also hear some Noise rising from across the village road in the direkshun of the meeting hall but there ain’t time to think about that now.
“I’m not afraid to kill you,” I say, tho I totally am but I’m hoping my Noise and his Noise are now so rackety and revved up that he won’t be able to make any sense from it.
“That makes two of us then,” he says, lunging for his machete. It don’t come out first tug, or the second. I take the chance to jump back into the dark, looking for Manchee.
“Manchee?” I say, frantically looking behind the sheaves and the piles of fruit baskets. I can still hear Matthew grunting to get his machete outta the floor and the ruckus from the town is growing louder.
“Todd?” I hear from deep in the darkness.
It’s coming from beside the silage rolls, down a little nook that opens up next to them back to the wall. “Manchee?” I call, sticking my head down it.
I look back real quick.
With a heave, Matthew gets his machete outta the floor.
“Todd?” Manchee says, confused and scared. “Todd?”
And here comes Matthew, coming on in slow steps, like he no longer has to hurry, his Noise reaching forward in a wave that don’t brook no argument.
I have no choice. I wedge myself back into the nook and hold out my knife.
“I’ll leave,” I say, my voice rising. “Just let me get my dog and we’ll leave.”
“Too late for that,” Matthew says, getting closer.
“You don’t wanna do this. I can tell.”
“Shut yer mouth.”
“Please,” I say, waving the knife. “I don’t wanna hurt you.”
“Do I look concerned, boy?”
Closer, closer, step by step.