Daly trails me as I go to Corr’s stall. In my pocket, my hand closes around a stone with a hole through it. If Corr were any other water horse, I’d string it onto his halter tonight, to make more noise in his head than the approaching November sea does. But Corr is not any other water horse, and my tricks will only make him more anxious.
I open my hand and leave the stone in my pocket.
“Keep everyone clear,” I snap. “Keep them out of my way.”
I push open Corr’s door and he charges toward the aisle. I press my hand into his chest and then slap it, shoving him back. One of the thoroughbreds whinnies piercingly.
“Keep them clear,” I remind Daly.
He bolts ahead of me to pass this along, and then I let Corr plunge out of his stall and tug me down the aisle toward the door to the yard. It’s closed against the rain and worse.
“Not out there —” Daly protests from behind me. “Malvern’s out there.”
That’s too bad. So Malvern will know that I’m still among his horses. But I can’t stop any of what is going on in here without fixing the problem out there first.
I push through the door, Corr strong and difficult on the other end of my lead line. I’m instantly wet to the skin. There’s water in my ears, my eyes. I’m drinking the sky. I have to swipe the water from my forehead and blink to clear my vision. Shingles from the stable are scattered all across the yard. Every light in the yard is on, and there are waterlogged halos around each of them. Three mares stand at the gate, pressing, desperate to get in — they’re broodmares from some of Malvern’s far-flung pastures on the way to Hastoway. The fact that they’re free means that something bad has happened to their fencing and they came seeking the familiar. One of them limps so badly that my heart sinks. The largest of the mares must recognize something in my walk, because she stops struggling and whinnies to me, long and entreating. Trusting me to rescue her from whatever made her come here.
And there’s Malvern and David Prince, the head groom. Malvern holds a shotgun; it’s an optimistic thought on his part.
Out here, the scream sounds like it’s coming from all around us. It vibrates in every raindrop, throbs in the clouds overhead. It’s a howl like venom, a paralyzing promise. This storm has driven the island mad.
Corr jerks and hauls at my arm. I see his hooves leave the cobbles and return, but I can’t hear the sound of them. I can only hear the throbbing scream, loud as if it’s in my head. It’s meant to travel miles underwater.
I yank Corr’s halter to catch his attention, and then I haul his head down next to mine. His lips are pulled back in a ghastly grin; it’s not a Corr I like seeing. My pulse races despite every year we’ve spent together. He’s a monster. With one hand, I press those teeth away from me, and with the other, I turn his ear toward me.
Pursing my lips, I keen into his ear. It’s lower than the scream that we hear now. The scream that’s getting closer.
Corr is distracted. His lips are pulled far, far back from his teeth; he is no horse. I twist his ear hard enough to hurt, and again, I hum into his ear, a low hum that dips to a groan at the end.
Malvern lifts his shotgun, looking at something I can’t see in the dark and the mist.
“Corr!” I shout. Rain creeps into my mouth when I do. And I keen again to him.
Malvern fires, but the scream from the approaching capall uisce is unbroken. It cannot get any louder.
And then, finally, Corr begins to keen as I prompt him. Low, groaning, so that I feel it in the lead rope I hold. So I feel it in the soles of my shoes. So it bubbles beneath the scream. Corr’s keen grows and widens to a groan, a growl, a roar like the wind against the buildings. The sound fills the yard and rolls out through the rain. It’s a territorial battle cry, a threat, a statement: This land is already mine. This is my herd.
The other scream diminishes in the wake of Corr’s howl, which ascends to fill the space that’s left behind. The mares at the gate go wild with fear and I know the horses in the stable are worse for it. Corr’s pure, high scream is no different from the scream it replaced — except this one I can stop.
I listen and listen to be sure that Corr’s cry is the only one. One of my eardrums, the one closest to Corr, merely hisses. But my left ear hears no other contender.
Now I hold Corr’s halter in a tight fist and press my fingers against his veins, tracing counterclockwise. Corr’s scream falters. I press my lips to his shoulder and whisper to his rain-soaked skin.
The night falls silent. My right ear still hums, a radio tuned to an empty frequency. Malvern and Prince look at me. The broodmares at the gate shiver and huddle together. Inside the stable, the kicking has died down.
The rain streams down; there’s not a single dry thing left in the world. Across the yard, Malvern gestures shortly to me.
I lead Corr into the hazy light that Malvern stands in.
Malvern’s eyes flick from me to Corr, who’s black in the wet and the night.
“Have you changed your mind yet?” Malvern asks me. “No.”
Malvern’s tone is dismissive. “I haven’t, either. This changes nothing.”
I’m not sure I believe him.
CHAPTER FORTY
PUCK
As Finn predicted, the storm pounds Thisby for a night and a day, and by the end of that rainy day, we’re able to retreat back to our house. I’m relieved because I’d rather run barefoot in the Scorpio Races than try to sleep in Beech’s narrow ham-scented bed with Gabe again. Tommy’s eager to return home because he left his capall uisce in the care of his family across the island and he’s not certain how well they’re doing. I think that I’d like to meet Tommy’s family, if they are the sort who wouldn’t mind having a water horse left in their care while Tommy ventures out to save the neighbors. It’s not exactly like asking your mother to put out a tin of chopped meat for your cat while you’re gone. I know I must’ve met Tommy’s parents at some point — I must’ve met everyone on Thisby at some point — but I cannot accurately place them in my head. In my imagination Mr. and Mrs. Falk both have Tommy’s brilliant blue eyes and his lovely lips. I also grant him some siblings, while I’m at it. Two brothers and a sister. The sister is homely. The brothers are not.
By evening, we are ready to strike out. The boys are so manly that they have to ride in Tommy’s car again, but I make a hasty bridle by looping Dove’s lead line back through her halter, creating reins so that I can ride her bareback after them.