Then we’re off down the narrow road, the headlights reflected in the mist and rain as they jump back up from the ground. Beside us, Dove trots and then canters. I roll up the window to leave just enough room for the lead to fit through. Tommy Falk is utterly focused on his driving — checking the mirrors constantly, making sure that we’re not being followed, taking care to make it easy for Dove to keep up with us — and the intensity of it makes me remember, suddenly, that I saw him on the beach just earlier today.
The car is silent and hot; the heater was turned up all the way and no one’s thought to turn it down. The entire car smells, not unpleasantly, of the inside of a new shoe. Beside me, in the backseat, Finn is insensible because of Puffin.
The only thing that’s said is when Gabe turns his face to Tommy and asks, “Your place?”
Tommy says, “Not with the pony. Has to be Beech’s.”
Then Finn pinches me and points out the front window. Just illuminated by the headlights is a dead sheep. It’s mutilated and strung out all the way from the ditch to the middle of the road.
I can’t stop seeing its torn body, even after we have left it far behind. That could have been us. Tommy and Gabe don’t comment on it, however. They don’t comment on anything, actually. They sit in grim, familiar silence, Gabe looking out windows and communicating to Tommy that it’s all clear without saying a word.
Tommy doesn’t take the road to Skarmouth as I expected, but rather the one toward Hastoway. He slows at the crossroads but doesn’t stop, and both he and Gabe peer anxiously out in all directions until we get going once more. I press my face to the glass, to make certain that Dove is not having a hard time keeping up.
“I could ride her and follow you,” I say.
Gabe’s voice leaves no room for negotiation. “You’re not getting out of this car until we’re well clear.”
And then there’s silence again, nothing but night and stone walls and the rain.
“Finn,” Gabe says, finally, his voice raised to be heard over the sound of the engine. “This storm that’s coming — how long will it last?”
Finn’s eyes are bright in the backseat, and he’s so incredibly pleased to have been asked that it hurts me. “Just tonight and tomorrow.”
Gabe looks at Tommy. “One day. That’s not long.”
“Long enough,” says Tommy.
CHAPTER THIRTY-EIGHT
PUCK
Tommy Falk takes us to the Grattons’ house, which is near Hastoway, though how near I can’t be sure, because everything looks the same in the spitting rain and narrow yellow of the headlights. Beech meets us, his shoulders hunched against the wind, and shows me where I can leave Dove. He swings his torch around to reveal a little four-stall stable with a low ceiling and no electric lights. One of the stalls is occupied by damp goats, another by chickens, and one by a gray cob gelding who stretches his head over the unbarred stall door when Dove comes in. Dove flattens her ears back by way of an ungrateful hello, but I put her in the stall next to him anyway. I want to spend more time with her, but it feels rude to linger while Beech stands there illuminating the stall with the light. So I just pat her neck and tell Beech thank you. He grunts and points back toward the house with his flashlight.
Back in the house, Gabe and Peg Gratton are talking easily while Tommy Falk peers under the lid of a pot on the stove. I don’t see Finn.
The kitchen itself reminds me of the butcher shop, if the butcher shop was made into a house. Despite the dark outside, the kitchen is all bright whitewashed walls and pots and knives hung up on them. The image of clean whiteness isn’t at all diminished by the fact that the floor is filthy with footprints. There are knickknacks on a half-dozen shelves, but they’re entirely different from our sort of knickknacks: crude wooden statues that could be either horses or deer, a broom of grass with a red ribbon tied around it, a piece of limestone with the name PEG written on it. None of the painted glass figurines or charming landscapes dotted with sheep and cheerful women that Mum liked. Stuff but not clutter. The room smells piercingly and wonderfully of whatever is cooking on the stove.
“They’ll have your room,” Peg says to Beech as soon as he comes in. In the light, I can see that Beech has grown into a great, ruddy creature who clearly takes after his father. He looks a little like he’s made of wood, and because wood is fairly inflexible, it takes him awhile to change his expression. When he does, it’s not pleased.
“They never will,” Beech replies.
“And where, then, would you like them to stay?” Peg Gratton asks. It’s strange to see her in this context, not in the butcher’s as someone who will cut your heart out, not in our yard telling me not to race, not in a headdress cutting my finger with a knife. She is smaller, somehow, neater, though her ginger curls are still unruly as ever. I’m bewildered at how easily she and Beech and Gabe go around and around about where we will sleep, and I realize that some of the time that Gabe was gone must have been spent here. Maybe a lot of it. It makes me realize we’ve come here because this is where Gabe feels safe. It makes me feel strange and sad, like we’ve been replaced with another family.
“Where’s Finn?” I break in.
“Washing his hands, of course,” Gabe says. “It may be decades.”
I feel weird about that, too, the rather free admittance of Finn’s foibles, though I’ve always thought it was something private, something only Connollys knew about. Gabe didn’t say it like he was making fun of Finn, but it feels like it.
“Where is the toilet?”
Tommy, not Peg or Beech, gestures toward the stairs on the other side of the kitchen. It’s like it’s everyone’s house, not just the Grattons’. Feeling sulky, I head out of the room. There’s a tiny, dark hallway with three doors off it up at the top of the stairs, but only one of them has light coming from underneath it. I knock. There’s no response until I say Finn’s name and then, after a pause, the door opens. It’s a tiny room, just big enough for a tub and a toilet and a washbasin if they’re very good friends and don’t mind rubbing shoulders, and Finn sits on the toilet with the lid down. There are big manly footprints on the small tiles of the floor.
I shut the door behind me and check to make certain that the tub is dry before stepping into it and sitting down.
“He comes here all the time,” Finn says to me.
“I know,” I reply. “I can tell.”