Someone is about to die.
I set my bag down by the cliffs, out of the way, and I begin to run, heels digging deep into the sand. I can only be in one place at a time, and the fight on the beach is out of my control. In the surf, the dun pony is chest deep in the water and the white stallion rears before her, hooves slicing down toward the girl. The girl jerks the dun mare off balance, sparing them both from the hooves but delivering the girl into the frigid water.
And that was what the capall uisce, a fearful dull Pegasus with disintegrating wings of sea foam, wanted. His teeth flash, the color of dead coral, and his great head smashes against the girl as her head comes up above water. Teeth clamp on to her hooded sweater; legs kick in preparation for his dive. I am already in the water, my fingers numb with the cold, and I swim to him through this perilous water, my progress agonizingly slow. The girl keeps going below water and clawing her way back up.
I drag myself closer with the floating hairs of his tail. I straddle his back and grab a handful of mane as I make my way up his neck. There is no time to trace the outlines of his veins with iron or push him widdershins. He is beyond anything I could whisper in his ear. There is only time for me to grip a handful of death-red holly berries from my coat pocket and to press them into his flared nostrils.
His massive legs slash convulsively through the water, and I see one of his knees glance off the girl’s head. I can’t see if she stays above water, though, because now the stallion is snorting, seaweed and jelly and bits of coral all spewing from his nostrils around the red berries, and in his drowning and his death throes, it’s taking all my energy to keep from going underwater with him.
The stallion’s jaw swings toward me, wide open, and I see, in a suddenly frozen moment of time, the coarseness of the hairs on his jaw and the way that salt water has beaded along them.
My vision explodes into one thousand colors, not one of them the sky.
And then, in a rush of sound, my sight returns, and with it, sensation: the girl’s hand pulling my head above water and the sting of ocean in my nostrils. The white capall is nothing but his mane floating in the water, the surf kicking his corpse toward the beach. The dun pony stands on the sand and whinnies to the girl, a high, anxious sound. There’s blood in the water and blood there on the sand, too, where the man lost his fingers. They are still calling my name on the beach, though I can’t tell if it’s to solicit my help or to solicit help for me. The girl coughs but no water comes up. She’s shivering, though her eyes are fierce.
I’ve killed one of the beautiful, deadly capaill uisce that I love, and I’ve nearly died, and a fever is racing through my veins, but all I can find to say to the girl is “Keep your pony off this beach.”
CHAPTER SIXTEEN
PUCK
I’m still shaking and coughing by the time I get into the yard. Dove spooks at every shadow, her every movement as jerky as a puppet’s. Even the sound of the gate closing behind her sends her dashing farther into the paddock, her haunches tucked underneath her. I’m lucky she’s not lame.
I close my eyes. I’m lucky she’s not dead.
It only took moments for the stallion to overpower us, and in another moment, I would’ve been under the water for good.
I lean on the gate, waiting for Dove to calm down enough to pick at her hay — she doesn’t — until I’m too cold in my wet clothing. Inside, I peel off my layers and replace them with new ones, but I’m still frigid.
She could’ve died.
In the kitchen, I eat an entire orange and a piece of bread slathered with quite a bit of our precious butter. The price of an orange is so dear that normally I would have borrowed one of Mum’s techniques for making each fruit go as far as possible. With a few oranges, Mum would make an orange cake, flavor butter or icing for a treat, and simmer some marmalade with the rest. If we did eat an orange just as an orange, we’d share the sections among us.
But I eat the entire thing, and by the time I get to the end of it, I’ve stopped shivering. My head still thuds dully from where the capall uisce’s knee hit it.
I suck on my index finger to get the last of the orange flavor, but all I taste is salt from the ocean, which makes me even more irritable. My first day on the beach with Dove and all I have to show for it is sand in every crevice of my skin and a kick in the head.
I couldn’t even make it one day without being rescued.
I keep trying to put Sean Kendrick out of my head, but my mind keeps conjuring up images of his sharp face and the sound of his voice made hoarse by swallowing the sea. And every time I relive the moment, my face flushes hot with embarrassment again.
I run a hand over my forehead, which is gritty with salt, and sigh a long, shuddering breath.
Keep your pony off this beach.
I want to give up. I’m doing all this to win just a few bare weeks with Gabriel on the island. And for what purpose? I haven’t seen a hair on his head since I announced I was racing. My plan seems suddenly foolish. So I’m going to make an idiot of myself in front of the entire island and possibly get myself and Dove killed for a brother who can’t be bothered to come home anyway.
The idea of throwing in the towel is simultaneously relieving and discomfiting. I can’t bear the idea of going back to the beach. But I can’t even imagine telling Gabe that I changed my mind. It’s hard to think that I have enough pride left to damage, but there it is.
There’s a knock on the door. I don’t have any time to make my hair look better — actually, I don’t think there is a way to make it better; it has that greasy, thick feeling of hair bathed in salt water. My heart feels leaden inside me. I can’t think of anyone positive who knocks on the door.
The door opens and it’s Benjamin Malvern. I know it’s Benjamin Malvern because there’s a signed photo of him on the wall behind the bar at the Black-Eyed Girl. I once asked Dad why it was there, and he said that was because Benjamin Malvern had given a lot of money to the pub so it could open. But I still didn’t see why that was a good reason to have someone’s signature on your wall.
“Gabriel Connolly here?” Malvern asks as he comes into the kitchen. I’m left holding the door open. The richest man on Thisby stands in our house with his arms crossed, his gaze shifting from the cluttered kitchen counter to the collapsed pile of wood and peat by the sitting room fireplace to the saddle I’ve perched on the back of Dad’s armchair. He wears a V-necked wool sweater and a tie. He’s got gray hair and is not good-looking. He smells nice, which I resent.