Home > On the Prowl (Alpha & Omega 0.5)(57)

On the Prowl (Alpha & Omega 0.5)(57)
Author: Patricia Briggs

"You have no idea what kind of a fuss I'm about to make."

Matt didn't bother to reply. He started the bidding on the first item, keeping me for last. Practical. I'd be there to keep the peace until the other items were carried away by successful bidders. Then it would be my turn, unless I could figure a way out of this before then.

I looked around, trying to crush down my rising panic. For a minute, I thought the Fey had gone, then I spotted him propping up the wall just offstage. No help there. Matt must have called him in to give Seb some competition, and ran the price up.

After a fierce bidding war, the djinn was sold to a tiny old woman swathed in black silk and pearls the size of cherries. She placidly stowed him in her huge purse, showing no sign of worry about her acquisition. Either she was barking mad, or she was a powerful witch. Considering that she kept well away from me, I was betting on the latter.

Matt started the bidding on the next lot, a nail supposedly taken from the True Cross and said to give the possessor a leg up in battle. As it had been brought back from the Holy Land by a knight of the Second Crusade  -  which had been a miserable failure by any standards  -  I was a little dubious. It seemed the rest of the room agreed, because bidding was sluggish and the reserve wasn't met.

Matt quickly passed on to item number three, not wanting to lose momentum. I barely heard him describing the history behind the small fragment of parchment because Seb had moved to the bottom of the steps, his bodyguards having pushed a path through the crowd for him. He usually maintains the air of pompous gravity he thinks is appropriate for the head of one of America's foremost magical houses, but tonight his expression was gleeful.

"How old are you again, Claire?" he asked, taking out a calculator. "I ask because I have an offer from a couple of Harvesters. And age does make a difference, you know."

I glowered at him, but refused to be baited. Harvesting was what nulls of any strength spend their lives fearing, and I wouldn't give him the satisfaction of seeing me lose it. But inwardly, I wasn't doing so good.

Around the year 900, a mage figured out how to siphon away our energy, and thereby our lives, to make bombs capable of bringing all magic in an area to a standstill. How far and how long the effect extends depends on the strength of the null being sacrificed  -  the younger and more powerful they are, the more energy they have to give. After the process was discovered, it became fashionable to hunt us, especially in the vampire community, although some mages did it, too. Null harvesting, as it's politely called, was outlawed shortly after the practice began, but the law had less to do with stopping the hunts than the meager quality of the nulls remaining by the Renaissance. Harvesters ran themselves out of business by being too good at their job, not that there weren't a few enterprising types still trying.

"Twenty-two, isn't it?" Seb's nimble fingers ran some calculations with the ease of a trained bean counter, which is what he'd been before father's late, unlamented demise.

"Rot in hell."

"It's too bad we didn't find you earlier. Late teens are optimal for top offers, but I'm sure we'll find someone to take you."

He wandered off as Matt gave up trying to convince anyone that the parchment contained part of one of Merlin's lost spells. The bidding started on item number four, a genuine, if somewhat tattered, grimoire from ancient Egypt. Matt was trying to sell the idea that the papyrus scroll had been part of the library of Alexandria, rescued by a daring priest before the Romans burnt it to the ground. He wasn't doing that great. He lacked his dad's genuine appreciation for the merchandise he handled and it showed.

All Matt cared about was making a buck, and his fake smiles and gushing descriptions were putting people off. But in this case, there was a flurry of bidding nonetheless. Anything from Egypt always went over well.

I was waiting for lot number six, a small birdcage covered by a white cloth. It was pretty much my only shot, now that the old lady had gone off with the djinn. Occasional scratches could be heard from inside, but nothing more distinct. That wasn't surprising since I'd personally seen a handler, with a heavy scarf wrapped around his head, fitting the small creature within with a specially made muzzle. They weren't worried about its bite; in this case, the bark really was far worse.

The cage was sitting on the stand closest to me and the chain on my manacle stretched far enough to reach it. What I couldn't figure out was how to get the latch open and the muzzle off before being pounced on by the trolls. The two guards were back in place at either side of the stage, and although they don't move very fast, they weren't more than six yards away. I'd never make it.

I'd barely had the thought when the front door burst open in a swirl of snow. The Weres were back, and they'd brought friends. In fact, it looked like their whole pack had decided to teach Matt a few much-needed manners. As soon as the trolls moved to intercept, I lunged for the cage.

My fingers had just brushed it when Matt caught me around the waist from behind. "Don't even think about it!" he roared over the sound of the Weres and trolls crashing into each other.

The cage wobbled slightly, then settled back into place with a final sounding thump. Matt started dragging me backward toward my podium. There was nothing I could do  -  my power only works on magical creatures and Matt, like his old man, was garden-variety human. He had no magic to steal.

As I started kicking him in his oversize calves, more to take out my frustration than in any hope of escape, the Fey appeared behind the plinth. I stared at him, and he dropped me a wink. I was still trying to absorb that when he flipped open the cage door, allowing the tiny brown bird inside to flutter out. Then a late-arriving troll crashed into him and they both went over the back of the stage.

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