I flinch, stung by the venom in his voice. I’ve never seen Adam so bitter or cruel. This isn’t the Adam I know. I want him to stop. Rewind. Apologize. Erase the things he’s just said.
But he doesn’t.
“You think you’ve had it hard,” he’s saying to me. “Living in psych wards and being thrown in jail—you think that was difficult. But what you don’t realize is that you’ve always had a roof over your head, and food delivered to you on a regular basis.” His hands are clenching, unclenching. “And that’s more than most people will ever have. You have no idea what it’s really like to live out here—no idea what it’s like to starve and watch your family die in front of you. You have no idea,” he says to me, “what it means to truly suffer. Sometimes I think you live in some fantasy land where everyone survives on optimism—but it doesn’t work that way out here. In this world you’re either alive, about to die, or dead. There’s no romance in it. No illusion. So don’t try to pretend you have any idea what it means to be alive today. Right now. Because you don’t.”
Words, I think, are such unpredictable creatures.
No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.
I swallow, hard
one
two
three
and steady myself to respond quietly. Carefully.
He’s just upset, I’m telling myself. He’s just scared and worried and stressed out and he doesn’t mean any of it, not really, I keep telling myself.
He’s just upset.
He doesn’t mean it.
“Maybe,” I say. “Maybe you’re right. Maybe I don’t know what it’s like to live. Maybe I’m still not human enough to know more than what’s right in front of me.” I stare straight into his eyes. “But I do know what it’s like to hide from the world. I know what it’s like to live as though I don’t exist, caged away and isolated from society. And I won’t do it again,” I say. “I can’t. I’ve finally gotten to a point in my life where I’m not afraid to speak. Where my shadow no longer haunts me. And I don’t want to lose that freedom—not again. I can’t go backward. I’d rather be shot dead screaming for justice than die alone in a prison of my own making.”
Adam looks toward the wall, laughs, looks back at me.
“Are you even hearing yourself right now?” he asks. “You’re telling me you want to jump in front of a bunch of soldiers and tell them how much you hate The Reestablishment, just to prove a point? Just so they can kill you before your eighteenth birthday? That doesn’t make any sense,” he says. “It doesn’t serve anything. And this doesn’t sound like you,” he says, shaking his head. “I thought you wanted to live on your own. You never wanted to be caught up in war—you just wanted to be free of Warner and the asylum and your crazy parents. I thought you’d be happy to be done with all the fighting.”
“What are you talking about?” I say. “I’ve always said I wanted to fight back. I’ve said it from the beginning—from the moment I told you I wanted to escape when we were on base. This is me,” I insist. “This is how I feel. It’s the same way I’ve always felt.”
“No,” he says. “No, we didn’t leave base to start a war. We left to get the hell away from The Reestablishment, to resist in our own way, but most of all to find a life together. But then Kenji showed up and took us to Omega Point and everything changed, and we decided to fight back. Because it seemed like it might actually work—because it seemed like we might actually have a chance. But now”—he looks around the room, at the closed door—“what do we have left? We’re all half dead,” he says. “We are eight poorly armed men and women and one ten-year-old boy trying to fight entire armies. It’s just not feasible,” he says. “And if I’m going to die, I don’t want it to be for a stupid reason. If I go to war—if I risk my life—it’s going to be because the odds are in my favor. Not otherwise.”
“I don’t think it’s stupid to fight for humanity—”
“You have no idea what you’re saying,” he snaps, his jaw tensing. “There’s nothing we can do now.”
“There’s always something, Adam. There has to be. Because I won’t live like this anymore. Not ever again.”
“Juliette, please,” he says, his words desperate all of a sudden, anguished. “I don’t want you to get killed—I don’t want to lose you again—”
“This isn’t about you, Adam.” I feel terrible saying it, but he has to understand. “You’re so important to me. You’ve loved me and you were there for me when no one else was. I never want you to think I don’t care about you, because I do,” I tell him. “But this decision has nothing to do with you. It’s about me,” I tell him. “And this life”—I point to the door—“the life on the other side of that wall? That’s not what I want.”
My words only seem to upset him more.
“Then you’d rather be dead?” he asks, angry again. “Is that what you’re saying? You’d rather be dead than try to build a life with me here?”
“I would rather be dead,” I say to him, inching away from his outstretched hand, “than go back to being silent and suffocated.”
And Adam is just about to respond—he’s parting his lips to speak—when the sounds of chaos reach us from the other side of the wall. We share one panicked look before yanking the bedroom door open and rushing into the living room.
My heart stops. Starts. Stops again.
Warner is here.
TWENTY
He’s standing at the front door, hands shoved casually in his pockets, no fewer than six different guns pointed at his face. My mind is racing as it tries to process what to do next, how best to proceed. But Warner’s face changes seasons as I enter the room: the cold line of his mouth blossoms into a bright smile. His eyes shine as he grins at me, not seeming to mind or even notice the many lethal weapons aimed in his direction.
I can’t help but wonder how he found me.
I begin to move forward but Adam grabs my arm. I turn around, wondering at my sudden irritation with him. I’m almost irritated with myself for being irritated with him. This is not how I imagined it would be to see Adam again. I don’t want it to be this way. I want to start over.