Next to the open Bible, like instruments set out upon an altar, were a crucifix and a small glass bottle Eph presumed to be holy water.
Setrakian nodded at the religious articles. "No more reasonable than duct tape and Cipro," he said. "And no more effective."
They proceeded into the back room. Eph said, "The wife must have covered for him. Why wouldn't she call a doctor?"
They explored a closet, Setrakian tapping the walls with the bottom of his staff. "Science has made many advances in my lifetime, but the instrument has yet to be invented that can see clearly into the marriage of a man and a woman."
They closed the closet. Eph realized they were out of doors to open. "If there's no basement?"
Setrakian shook his head. "Exploring a crawl space is many times worse."
"Up here!" It was Nora, calling down from upstairs, urgency in her voice.
Ann-Marie Barbour was slumped over from a sitting position on the floor between her nightstand and her bed, dead. Between her legs was a wall mirror that she had shattered on the floor. She had selected the longest, most daggerlike shard and used it to sever the radial and ulnar arteries of her left arm. Wrist cutting is one of the least effective methods of suicide, with a success rate of less than 5 percent. It is a slow death, due to the narrowness of the lower arm, and the fact that only one wrist cut is possible: a deep slice severs nerves, rendering that hand useless. It is also extremely painful, and as such, generally successful only among the profoundly depressed or the insane.
Ann-Marie Barbour had cut very deeply, the severed arteries as well as the dermis pulled back, exposing both bones in the wrist. Tangled in the curled fingers of her immobilized hand was a bloodied shoelace, upon which was strung a round-headed padlock key.
Her spilled blood was red. Still, Setrakian produced his silver-backed mirror and held it at an angle to her down-turned face, just to be sure. No blurring-the image was true. Ann-Marie Barbour had not been turned.
Setrakian stood slowly, bothered by this development. "Strange," he said.
Eph stood over her in such a way that her down-turned face-her expression one of bewildered exhaustion-was reflected in the pieces of shattered glass. He noticed, tucked beneath a twin frame containing photographs of a young boy and girl on the nightstand, a folded piece of notebook paper. He slid it out, paused a moment with it in his hand, then opened it carefully.
Her handwriting was shaky, in red ink, just like the notation in the kitchen Bible. Her lower case i's were dotted with circles, giving the penmanship a juvenile appearance.
"'To my dearest Benjamin and darling Haily,'" he began reading.
"Don't," interrupted Nora. "Don't read it. It's not for us."
She was right. He scanned the page for pertinent information-"The children are with the father's sister in Jersey, safe"-skipping down to the final passage, reading just that bit. "'I am so sorry, Ansel...this key I hold I cannot use...I know now that God has cursed you to punish me, he has forsaken us and we are both damned. If my death will cure your soul, then He can have it..."
Nora knelt, reaching for the key, drawing the bloody shoelace away from Ann-Marie's lifeless fingers. "So...where is he?"
They heard a low moan that almost passed for a growl. It was bestial, glottal, the kind of throaty noise that can only be made by a creature with no human voice. And it came from outside.
Eph went to the window. He looked down at the backyard and saw the large shed.
They went out silently into the backyard, to stand before the chained handles of the twin shed doors. There, they listened.
Scratching inside. Guttural noises, quiet and choked.
Then the doors banged. Something shoved against them. Testing the chain.
Nora had the key. She looked to see if anyone else wanted it, and then walked to the chain herself, inserting the key in the padlock and turning it gingerly. The lock clicked and the shackle popped free.
Silence inside. Nora lifted the lock out of the links, Setrakian and Eph ready behind her-the old man drawing his silver sword from its wooden sheath. She began unwinding the heavy chain. Threading it through the wooden handles...expecting the doors to burst open immediately...
But nothing happened. Nora pulled the last length free and stepped back. She and Eph powered on their UVC lamps. The old man was locked in on the doors, so Eph sucked in a brave breath and reached for the handles, pulling open the doors.
It was dark inside. The only window was covered with something, and the outward-opening doors blocked most of the light coming down from the house porch.
It was a few airless moments before they perceived the form of something crouching.
Setrakian stepped forward, stopping within two paces of the open door. He appeared to be showing the occupant of the shed his silver blade.
The thing attacked. It charged, running at Setrakian, leaping for him, and the old man was ready with his sword-but then the leash chain caught, snapping the thing back.
They saw it now-saw its face. It sneered, its gums so white it appeared at first that its bared teeth went all the way up into the jaw. Its lips were pale with thirst, and what was left of its hair had whitened at the roots. It crouched on all fours on a bed of soil, a chain collar locked tight around its neck, dug into the flesh.
Setrakian said, never taking his eyes off it, "This is the man from the airplane?"
Eph stared. This thing was like a demon that had devoured the man named Ansel Barbour and half-assumed his form.
"It was him."
"Somebody caught it," said Nora. "Chained it here. Locked it away."
"No," said Setrakian. "He chained himself."
Eph then understood. How the wife had been spared, and the children.
"Stay back," warned Setrakian. And just then the vampire opened its mouth and struck, the stinger lashing out at Setrakian. The old man did not flinch, as the vampire did not have the reach, despite his stinger being many feet long. It retracted in failure, the disgusting outgrowth drooping just past the vampire's chin, flicking around its open mouth like the blind pink feeler of some deep-sea creature.
Eph said, "Jesus God..."
The vampire Barbour turned feral. It backed up on its haunches, hissing at them. The unbelievable sight shocked Eph into remembering Zack's camera in his pocket, and he handed Nora his lamp, taking out the recorder.
"What are you doing?" asked Nora.
He fumbled on the power, capturing this thing in the viewfinder. Then, with his other hand, he switched off the safety on his nail gun and aimed it at the beast.