"It's going to be okay, Gin," the dwarf murmured. "You'll see."
I thought about how close I'd come to losing Bria tonight. How close Mab, her giants, and her bounty hunters had come to nabbing me at her mansion. How many times in the last few months that the Fire elemental or one of her minions had just missed killing me. I didn't say anything, but I squeezed the dwarf's fingers with my own, trying to reassure myself as much as her.
Finn promised to contact every single one of his sources to see what they had to say about the bounty hunters, Mab, and anything else that might be relevant or helpful. Then Bria came back into the kitchen, and I drove the two of us over to Fletcher's house. Sophia had already gotten rid of the old clunker that I'd used to escape from Mab's mansion last night, hauling it off to some junkyard where it belonged. Bria and I had met Finn at Jo-Jo's earlier, and since he'd driven the three of us over to Northern Aggression, I'd left my regular car at the dwarf's house.
Bria and I didn't speak on the ride over, although she grimaced and grabbed the door handle as my silver Benz churned up the driveway. Couldn't blame her for that. The steep, twisting path still rattled my bones every time I drove up it.
My Benz crested the top of the ridge, and Fletcher's house came into view. A lone light burned like a firefly over the front door, dimly outlining the sprawling structure. White clapboard, brown brick, and gray stone joined together to make up the building, along with a tin roof, black shutters, and blue eaves. You couldn't see much of the odd mishmash of styles and materials in the darkness, but I knew the lines and texture of the ramshackle house as well as I knew my own face.
"Home, sweet home," I murmured, stopping the car.
Bria stared out the window, peering into the shadows that covered the yard like puddles of gray ink oozing over the snow. Despite the fact that we'd been getting reacquainted with each other, my sister had never been up to Fletcher's house before. We always met in public places, like the Pork Pit or Northern Aggression, usually with Finn, Xavier, Roslyn, or one of the Deveraux sisters in attendance. Self-imposed chaperones to keep the long, awkward pauses to a minimum.
There were no chaperones, no safety nets tonight, and this place was as personal as it got for me. I'd loved Fletcher like a father, and his house was a natural extension of the old man himself, as much a part of him and his legacy to me as the Pork Pit was.
We got out of the car. It was after three now, but thanks to the snow, a sort of pearl gray twilight softened the cold edges of everything and made it seem lighter than it really was. In front of the house, snow crusted the flat lawn before the ridge fell away into a series of frozen, jagged cliffs. Snow and ice covered the gravel in the driveway as well, but I could still hear the stone's murmurs. Low, steady, and as quiet as the icy landscape around us.
No footprints marred the smoothness of the snow, and no sense of excitement, urgency, or dark desires rippled through the stones under my boots. No one had been near the house tonight. Good. That meant that Mab and her city full of bounty hunters hadn't unearthed my true identity, hadn't discovered that Gin Blanco was really the Spider-yet.
I led Bria over to the front door, which was made out of solid black granite. Thick veins of silverstone also swirled through the hard stone here and in other strategic places around the house, while bars made out of the magical metal covered the windows.
Bria let out a low, appreciative whistle. "I don't think I've ever seen that much silverstone in a single door before. You'd have to have a hell of a lot of magic to bust through that much of it."
"Remember what I said about easily defendable? Well, this is it," I said, unlocking the door and stepping inside.
I flipped on some lights, illuminating the hallway, and toed off my boots. Bria stepped inside and did the same.
"So this is where you live," Bria murmured, staring out at what she could see of the house. "Looks like you've got a lot of rooms in here, a lot of passageways, a lot of places to hide."
She had no idea. So many additions in so many different styles had been tacked on to the house over the years that the whole structure was something of a labyrinth. Rooms joined together, branching off into hallways that doubled back on themselves, led to different parts of the house entirely, or in some cases just dead-ended. Not the kind of place where you wanted to have to search for the bathroom in the dark, much less an assassin like the Spider. Still, the odd, overlapping designs gave me a clear advantage, since I knew the ins and outs of the whole house-and the best way to sneak up and stab someone in the back when she thought that she was creeping up on me instead.
Bria followed me through the house. I gave her a tour of the first floor and told her to make herself at home. My sister didn't say much, but she didn't miss anything either. She examined everything carefully, slowly, lingering on the well-worn, comfortable furniture and all the odd knickknacks that Fletcher had collected. Her face was blank, closed off, and I couldn't tell what conclusions, if any, that she'd drawn.
We wound up in the back of the house in the den, the room that I always migrated to late at night whenever I couldn't sleep and there was something on my mind. Like tonight and the bounty on my sister's head.
I plopped down on the old, plaid sofa and laid my head back, rolling it from side to side to loosen the stiff, tension-filled muscles in my neck. Bria didn't sit down next to me. Instead, she walked to the mantel over the fireplace and the four framed drawings that rested there. Three of the drawings were for an art class that I'd taken at Ashland Community College. My final assignment had been to sketch a series of runes, all with a connected theme.
I'd drawn the runes of my dead family.
The first drawing on the mantel was a snowflake, our mother, Eira's, rune, the symbol for icy calm. The second was a curling ivy vine representing elegance, and our older sister, Annabella. Bria's rune, the primrose, the symbol for beauty, was the third drawing, although my rendering of it wasn't nearly as elegant as the silverstone medallion that she wore around her neck.
The fourth picture was a bit unusual. It wasn't a true rune, not like the others. Instead, the drawing was of the multicolored neon sign that hung outside the entrance to the Pork Pit. An exact rendering of it, right down to the full, heavy platter of food the pig was holding. The barbecue restaurant and Fletcher were one and the same to me. After the old man's murder, I'd decided to honor him the same way I had the rest of my dead family. Hence the drawing.
Bria moved down the mantel, going from one frame to the next, stopping to stare at them all. I couldn't see her face, and I wasn't sure I wanted to. I didn't know that I wanted to see the emotions flashing in her eyes right now. All the anger, longing, and aching regret. The feelings already tightened my chest, tangled threads slowly strangling me from the inside out.