22
ORSON descended the steps and started down the walkway. I waited inside the foyer of Howard Hall, watching him through the window beside the door. Dressed in a beige wool suit, a red bow tie, and green suspenders, he carried a tan briefcase and wore gold wire-framed glasses. When he was beyond the gazebo, I opened the door and followed him as he strode quickly across campus and disappeared into Gerard Hall.
As I approached his building, the light snow continued. The temperature had dropped as the day progressed, and the sky, only partly overcast this morning, was now completely masked by low gray clouds, which grazed the mountain peaks.
Gerard Hall was one of the smaller buildings on campus—two stories and narrow. Its name was incised into the stone pediment above the door. I felt exposed standing out in front of Orson’s building in the cold. His office was on the second floor, but he could be anywhere inside, and while from a distance I felt safe, I knew that in proximity, my brother would instantly know my eyes.
I sat on the steps for five minutes, until I’d worked up the nerve to go inside. But as I stood to reach for the door handle footsteps pounded on a hardwood floor, and looking through the window, I saw a figure appear from the hallway. I turned away and leaned against the black railing just as the door opened.
I smelled her perfume before I saw her. An older woman, still beautiful, cascaded down the steps in high heels and a black overcoat. Her blond hair, streaked with silver, jounced as she walked away on a path leading to the town. I peeked again through the tall, slim window by the door, then, seeing only the empty foyer, pulled the handle and stepped inside.
Without voices, or fingers on keyboards, the fluorescent lights hummed deafeningly overhead as they shone hard light upon the dusty floor. According to a glass-encased magnetic message board, this was the office building of the history department, and the last names of professors and their respective office numbers were displayed in white lettering behind the glass. Looking down the hallway, I saw there were stairwells at both ends. Arbitrarily, I turned left and started walking to the stairs, passing four unmarked doors and a janitor’s closet.
Jazz music poured softly from the second floor. I stopped at the top of the stairwell and looked into the hallway. All the flourescent lights were out save one, which flickered sporadically at the other end. The only constant light emanated from two open and opposing doorways, where voices rose in conversation above a moaning trumpet.
In the shadows, I walked toward the first office along the corridor. It was closed, and a brass nameplate affixed to the door read stchykenski 206. Across the hall, someone typed inside of 207, where light and classical music escaped in slivers beneath the door.
On the right side, fifteen feet down the hall, Orson’s door stood wide open, the wonder of Miles Davis’s “Blue in Green” lingering in the doorway. I inched forward until I could see into Orson’s empty office, and hear the conversation in the room across from his.
“I’m not sure yet,” Orson was saying.
“David, there’s no rush. We just need to make the decision before Christmas. I think the deadline’s the twenty-first of December.”
“That’s plenty of time,” Orson said. “I just want to finish a thorough reading of his publications. I like what I’ve seen so far, but I want to be sure, Jack.”
“We all do,” Jack said, “and right now what I’m hearing from the others is that Dr. Harris would fit in nicely. Those of us who’ve read his work think he’s more than qualified.”
Footsteps reverberated in the opposite stairwell, and I backed away.
“Damn,” Orson said. “I’ve got to meet with a student. How about lunch tomorrow?”
“Splendid.”
A chair squeaked, and I ran down the hall. There was a men’s bathroom on my right that I’d unwittingly passed before, and I slipped inside as Orson stepped from Jack’s office into the hall. In the dark bathroom, a faucet dripped into the sink. Cracking the door, I glanced back into the hallway. Orson now stood in the threshold of his office, leaning against the door frame and speaking to a pudgy girl with walnut hair and a pale white face. She wore a backpack on the outside of her yellow rain jacket, and she smiled as Orson invited her into his office and shut the door.
I let the bathroom door close, immersing myself in darkness. Closing my eyes, I took steady breaths until the banging in my chest subsided.
Suddenly, I remembered—walking up the steps, I’d seen a red box with the word Fire on it.
I opened the door. Orson’s was still closed, so I ran from the hallway into the stairwell. The fire alarm was mounted on the wall, and I stopped and looked back down the hallway. Now the only light came from Jack’s office.
I pulled the white handle and the alarm screamed.
Back inside the bathroom, the darkness now riddled with blinking lights, I found my way into a stall and sat down on the toilet. The door opened, someone shouted, and then it closed again, the darkness assuring whoever had entered that the men’s room was vacant. After thirty seconds, I walked to the door.
The floor vacated, most of the doors were open now, brightening the hallway considerably. I ran toward 209 as the alarm rang. Empty. Rushing inside, I shut the door behind me and moved to the window. Outside, a crowd was gathering at the building’s entrance, people staring up in wonder, looking for the smoke. It was snowing hard now, sticking to the grass, melting on the brick. I wondered how long it’d take the fire department to arrive.
There were no filing cabinets. I opened the bottom right-hand drawer of the desk and found it stuffed with graded papers and tests. The drawer above it overflowed with supplies—pens, pencils, several legal pads. Two roll books and two packs of note cards filled the drawer in the center, and the left-hand drawers were both empty. No trophies. No photographs. But this did not surprise me. He was too careful to keep them here. I’d known it, but I had to check.
A monitor, processor, and keyboard stood separately on the floor—an old Tandy 1000 with the letters and numbers worn completely off the keys. There was a bookshelf on either side of the window. I glanced at the titles but found nothing peculiar. They were history texts, most on ancient Rome and Greece. A poster of Athens and a framed photograph of Orson standing in the Coliseum hung on the wall in front of his desk.
A stack of unopened envelopes lay on top of his desk, and I picked them up. Of the four, three had been addressed to his school office, the other to 617 Jennings Road, Woodside, Vermont. Yes. Grabbing a pen and a sheet of paper from the supply drawer, I copied down the address. Then I looked through the drawers once more to make sure I hadn’t disturbed anything. Orson would know.