Gray remained silent. He knew such a threat, especially now, was no coincidence. He read the same understanding in the woman’s eyes. “Someone knows,” he said slowly. “After today’s shooting on the Mall, no one will dismiss a bomb threat. It’s the perfect cover to run a covert sweep of the building.”
He turned to study the omphalos.
Time was running out for delicacy.
Kowalski must have understood this, too. He returned from the back of the storage room. “I heard,” he said. Instead of the padded crowbar, he hefted a large sledgehammer on his shoulder. “Get back.”
“No!” Elizabeth warned.
But Kowalski clearly wasn’t taking no for an answer. He closed the distance in one stride, raised the hammer over his head, and swung it down.
Elizabeth gasped in fear for the centuries-old artifact.
But instead of hitting the ancient stone, the sledgehammer slammed into the slats of the pallet that supported the omphalos. Wood splintered and broke. Kowalski lifted the hammer again and cracked more slats on the same side.
With half its weight now unsupported, the great stone tilted toward the crushed side of the pallet—then slowly toppled over, upending itself. More slats were pulverized under its weight, but it seemed undamaged from its slow roll.
Kowalski shouldered the hammer.
Elizabeth stared at the man, her expression wavering between horror and awe.
Gray hurried to the pallet and dropped to a knee. The object hidden under the omphalos now rested in plain view. It was not a polished stone. Gray lifted his Gamma-Scout reader toward it. It read hot, but no worse than the binoculars they’d found earlier.
Satisfied, Gray retrieved it and stood.
Elizabeth stumbled back as he straightened.
Kowalski’s eyes tightened. “A skull? Is that what this is all about?”
Gray examined it closer. The skull was small and missing its lower jaw. He turned it over. The remaining teeth displayed prominent fangs in a protuberant muzzle. “Not human,” he said. “From the size and shape of the cranium, I’d say it’s simian. Possibly a chimpanzee.”
Kowalski’s expression soured even further. “Great,” he drawled out. “More monkeys.”
Gray knew the large man had developed a distaste for all things simian following a previous mission. Something to do with baboons…or apes. Gray could never get a straight story from the man.
“But what…what’s that attached to the skull’s side?” Elizabeth pointed out.
Gray knew what she meant. It was hard to miss. Affixed to the temporal bone, just above the opening to the ear canal, rested a curved block of stainless steel.
“I’m not sure,” he answered. “Maybe a hearing aid. Perhaps even one of the new cochlear implants.”
“For a damn monkey?” Kowalski asked.
Gray shrugged. “We’ll have to examine it later.”
“Why did my father bring that here?”
Gray shook his head. “I don’t know. But someone wanted to stop him. And someone still wants it back.”
“What do we do?”
“We find a way out of here. Before anyone knows we recovered it.”
Gray took a moment to search the rest of the pallet, in case the professor had left anything else here. Like a note explaining everything. One could always hope. He pointed his flashlight into the hollow cavity of the upended omphalos.
Nothing.
As he swung the beam away, the light glanced over the inner surface. Something caught his eye there. It looked like a spiraling groove carved into its surface, starting at the lip and corkscrewing up toward the hole. He reached a finger to it and realized it was a single long line of cursive script. Leaning over, he narrowed the flashlight’s beam upon the writing.
Elizabeth noted his attention. “Ancient Sanskrit.”
Gray straightened back. “What’s Sanskrit doing on the inside—?”
Kowalski cut him off. “Does it friggin’ matter already?” He pointed a thumb toward the door. “Remember that bomb scare. Shouldn’t we be haulin’ ass out of here?”
Gray straightened. The man had a point. They’d wasted enough time. The sweep of the building was probably already—
A muffled shout echoed from the hallway.
Kowalski rolled his eyes in a plain expression of I told you so.
“What do we do?” Elizabeth asked.
7:37 P.M.
Painter knocked on the half-open door to the pathologist’s office.
“Come in,” Malcom called out. “Jones, do you have the data from—?”
Painter pushed the door wider just as Malcolm swung around in his desk chair. The pathologist still wore a set of blue scrubs. His glasses rested atop his head. He was rubbing at the bridge of his nose when he noted who stood in his doorway.
His eyes widened. “Director…” He made a motion to stand, but Painter waved him to remain seated as he entered.
“Brant alerted me that you had called. I was just heading back to my office from video surveillance.”
“Any footage of the shooter?”
“Not so far. We’re still combing records. But it’s a mountain of videos to sift. And some sources are slow to respond.”
Since 9/11, surveillance of the capital had been heightened. For a full ten miles in all directions around the White House, multiview cameras monitored every square foot of streets, parks, and public spaces. And over 60 percent of interior spaces, too. Several cameras had picked up pieces of Dr. Archibald Polk’s path across the Mall. They confirmed what Gray had assessed with his radiological tracker. But nagging gaps persisted. Though they had footage of Polk collapsing in Gray’s arms, no camera caught even a glimpse of rifle flash or any sign of the shooter.
It was worrisome.
Painter was beginning to suspect that the sniper had known about the cameras and had found a hole in the surveillance net in which to hide. Or worse yet, someone could have tampered with the Mall’s footage and purposefully deleted any evidence of the assassin.
Either way, such collusion suggested that Professor Polk’s murderer might have powerful ties here in Washington. But who and where? If Polk’s history as a Jason had anything to do with the murder, then it opened a Pandora’s box of possibilities. The Jasons had their fingers in top secret projects of every shade from gray to deep black.
Painter knew he would be getting no sleep tonight.
None of them would.
“Any word from Gray?” Malcolm asked, shifting a pile of papers from a chair and offering a seat to Painter.