His goal lay across a small piazzetta. Ahead rose the Palazzo Ducal, the fourteenth-century palace of Venice's former dukes. Its two levels of Gothic arches beckoned, offering salvation in Istrian stone and rosy Veronese marble.
Clutching his prize, he stumbled across the street.
Was she still there? Would she take the burden?
He rushed toward the sheltering shadows, escaping the blaze of the sun and the glare off the neighboring sea. He needed to be lost in the maze of the palace. Besides housing the duke's personal residence, the Palazzo Ducal also served as a governmental office building, a courthouse, a council chamber, even an old prison. A newer prison rose across the canal behind the palace, connected by an arched bridge, the infamous Bridge of Sighs, over which Casanova had once made his escape, the only prisoner ever to break out of the palace's cells.
As Stefano ducked under the overhanging stretch of loggia, he prayed to the ghost of Casanova to protect his own flight. He even allowed himself a small breath of relief as he sank into the shadows. He knew the palace well. It was easy to get lost in its maze of corridors, a ready place for a clandestine rendezvous.
Or so he placed his faith.
He entered the palace through the western archway, flowing in with a few tourists. Ahead opened the palace's courtyard with its two ancient wells and the magnificent marble staircase, the Scala dei Giganti, the Giant's Stairs. Stefano skirted the courtyard, avoiding the sun now that he had escaped it. He pushed through a small, private door and followed a series of administrative rooms. They ended at the old inquisitor's office, where many poor souls had suffered interrogations of the most pained and brutal sort. Not stopping, Stefano continued into the neighboring stone torture chamber.
A door slammed somewhere behind him, causing him to jump.
He clutched his prize even tighter.
The instructions had been specific.
Taking a narrow back stairway, he wended down into the palace's deepest dungeons, the Pozzi, or Wells. It was here the most notorious prisoners had been held.
It was also where he was to make his rendezvous.
Stefano pictured the Greek sigil.
What did it mean?
He entered the dank hall, broken by black stone cells, too low for a prisoner to stand erect. Here the imprisoned froze during winter or died of thirst during the long Venetian summers, many forgotten by all except the rats.
Stefano clicked on a small penlight.
This lowest level of the Pozzi appeared deserted. As he continued deeper, Stefano's steps echoed off the stone walls, sounding like someone following him. His chest squeezed with the fear. He slowed. Was he too late? He found himself holding his breath, suddenly wishing for the sunlight he had fled.
He stopped, a tremble quaking through him.
As if sensing his hesitation, a light flared, coming from the last cell.
"Who?" he asked. "Chi e la?"
A scrape of heel on stone, followed by a soft voice, in Italian, accented subtly.
"I sent you the note, Signore Gallo."
A lithe figure stepped out into the corridor, a small flashlight in her hand. The glare made it hard to discern her features, even when she lowered her flashlight. She was dressed all in black leather, hugging tight to hips and breast. Her features were further obscured by a head scarf, wrapped in a bedouin style, obscuring her features fully, except her eyes that reflected a glint of her light. She moved with an unhurried grace that helped calm the thudding of his heart.
She appeared out of the shadows like some dark Madonna.
"You have the artifact?" she asked.
"I... I do," he stammered, and took a step toward her. He held out the obelisk, letting the sackcloth fall away. "I want nothing more to do with it. You said you could take it somewhere safe."
"I can." She motioned for him to set it down on the floor.
He crouched and rested the Egyptian stone spire on the floor, glad to be rid of it. The obelisk, carved of black marble, rose from a square base, ten centimeters per side, and tapered to a pyramidal point forty centimeters tall.
The woman crouched across from him, balancing on the toes of her black boots. She ran her light over its drab surface. The marble was badly chipped, poorly preserved. A long crack jagged through it. It was plain why it had been forgotten.
Still, blood had been spilled for it.
And he knew why.
She reached across to Stefano and pushed his penlight down. With a flick of her thumb, she switched on her flashlight. The white light dimmed to a rich purple. Every bit of dust on his slacks lit up. The white stripes of his shirt blazed.
Ultraviolet.
The glow bathed the obelisk.
Stefano had done the same earlier, testing the woman's claim and witnessing the miracle for himself. He leaned closer with her now, examining the four sides of the obelisk.
The surfaces were no longer blank. Lines of script glowed in blue-white sigils down all four sides.
It was not hieroglyphics. It was a language that predated the ancient Egyptians.
Stefano could not keep the awe from his voice. "Could it truly be the writing of the—"
Behind him, whispered words echoed down from the floor above. A skitter of loose rock trickled down the back stairs.
He swung around, fearful, his blood icing.
He recognized the calm, clipped cadence of the whisper in the dark.
The Egyptian.
They'd been discovered.
Perhaps sensing the same, the woman clicked off her lamp, dousing the violet light. Darkness collapsed around them.
Stefano lifted his penlight, seeking some hope in the face of this dark Madonna. Instead, he discovered a black pistol, elongated with a silencer, aimed at his face, held in the woman's other hand. He understood and despaired. Fooled yet again.
"Grazie, Stefano."
Between the sharp cough and the spat of muzzle flash, only one thought squeezed through the fatal gap.
Maria, forgive me.
July 3, 1:16 p.m. Vatican City, Italy
Monsignor Vigor Verona climbed the stairs with great reluctance, haunted by memories of flame and smoke. His heart was too heavy for such a long climb. He felt a decade older than his sixty years. Stopping at a landing, he craned upward, one hand supporting his lower back.
Above, the circular stairwell was a choked maze of scaffolding, crisscrossed with platforms. Knowing it was bad luck, Vigor ducked under a painter's ladder and continued higher up the dark stairs that climbed the Torre dei Venti, the Tower of Winds.
Fumes of fresh paint threatened to burn tears from his eyes. But other smells also intruded, phantoms from a past he preferred to forget.
Charred flesh, acrid smoke, burning ash.
Two years ago an explosion and fire had ignited the tower into a blazing torch within the heart of the Vatican. But after much work, the tower was returning to its former glory. Vigor had looked forward to next month, when the tower would be reopened, the ribbon cut by His Eminence himself.