It wouldn't have happened if Fat Charlie had not liked the song so much. When Fat Charlie was thirteen he had believed that "Under the Boardwalk" was the greatest song in the world (by the time he was a jaded and world-weary fourteen-year-old, it had become Bob Marley's "No Woman No Cry"). And now Spider was singing his song, and singing it well. He sang it in tune, he sang it as if he meant it. People stopped drinking, stopped talking, and they looked at him, and they listened.
When Spider finished singing, people cheered. Had they been wearing hats, they might well have flung them into the air.
"I can see why you wouldn't want to follow that," said the vodka and orange to Fat Charlie. "I mean, you can't follow that, can you?"
"Well-." said Fat Charlie.
"I mean," she said with a grin, "you can see who's got all the talent in your family." She tipped her head, as she said it, and tilted her chin. It was the chin-tilt that did it.
Fat Charlie headed toward the stage, putting one foot in front of the other in an impressive display of physical dexterity. He was sweating.
The next few minutes passed in a blur. He spoke to the DJ, chose his song from the list - "Unforgettable" - waited for what seemed like a brief eternity, and was handed a microphone.
His mouth was dry. His heart was fluttering in his chest.
On the screen was his first word: Unforgettable-.
Now, Fat Charlie could really sing. He had range and power and expression. When he sang his whole body became an instrument.
The music started.
In Fat Charlie's head, he was all ready to open his mouth, and to sing. "Unforgettable," he would sing. He would sing it to his dead father and to his brother and the night, telling them all that they were things it was impossible to forget.
Only he couldn't do it. There were people looking up at him. Barely two dozen of them, in the upstairs room of a pub. Many of them were women. In front of an audience, Fat Charlie couldn't even open his mouth.
He could hear the music playing, but he just stood there. He felt very cold. His feet seemed a long way away.
He forced his mouth open.
"I think," he said, very distinctly, into the microphone, over the music, and heard his words echoing back from every corner of the room. "I think I'm going to be sick."
There was no graceful exit from the stage.
After that, everything got a bit wobbly.
There are myth-places. They exist, each in their own way. Some of them are overlaid on the world; others exist beneath the world as it is, like an underpainting.
There are mountains. They are the rocky places you will reach before you come to the cliffs that border the end of the world, and there are caves in those mountains, deep caves that were inhabited long before the first men walked the earth.
They are inhabited still.
CHAPTER FIVE
IN WHICH WE EXAMINE THE MANY CONSEQUENCES OF THE MORNING AFTER
Fat Charlie was thirsty.
Fat Charlie was thirsty and his head hurt.
Fat Charlie was thirsty and his head hurt and his mouth tasted evil and his eyes were too tight in his head and all his teeth twinged and his stomach burned and his back was aching in a way that started around his knees and went up to his forehead and his brains had been removed and replaced with cotton balls and needles and pins which was why it hurt to try and think, and his eyes were not just too tight in his head but they must have rolled out in the night and been reattached with roofing nails; and now he noticed that anything louder than the gentle Brownian motion of air molecules drifting softly past each other was above his pain threshold. Also, he wished he were dead.
Fat Charlie opened his eyes, which was a mistake, in that it let daylight in, which hurt. It also told him where he was (in his own bed, in his bedroom), and because he was staring at the clock on his bedside table, it told him that the time was11:30.
That, he thought, one word at a time, was about as bad as things could get: he had the kind of hangover that an Old Testament God might have smitten the Midianites with, and the next time he saw Grahame Coats he would undoubtedly learn that he had been fired.
He wondered if he could sound convincingly sick over the phone, then realized that the challenge would be convincingly sounding anything else.
He could not remember getting home last night.
He would phone the office, the moment he was able to remember the telephone number. He would apologize - crippling twenty-four-hour flu, flat on his back, nothing that could be done-.
"You know," said someone in the bed next to him, "I think there's a bottle of water on your side. Could you pass it over here?"
Fat Charlie wanted to explain that there was no water on his side of the bed, and that there was, in fact, no water closer than the bathroom sink, if he disinfected the toothbrush mug first, but he realized he was staring at one of several bottles of water, sitting on the bedside table. He reached his hand out, and closed fingers that felt like they belonged to someone else around one of them, then, with the sort of effort people usually reserve for hauling themselves up the final few feet of a sheer rock face, he rolled over in bed.
It was the vodka and orange.
Also, she was naked. At least, the bits of her he could see were.
She took the water, and pulled the sheet up to cover her chest. "Ta. He said to tell you," she said, "when you woke, not to worry about calling work and telling them you were ill. He said to tell you he's already taken care of it."
Fat Charlie's mind was not put at rest. His fears and worries were not allayed. Then again, in the condition he was in, he only had room in his head for a single thing to worry about at once, and right now he was worrying about whether or not he would make it to the bathroom in time.
"You'll need more liquids," said the girl. "You'll need to replenish your electrolytes."
Fat Charlie made it to the bathroom in time. Afterward, seeing he was there already, he stood under the shower until the room stopped undulating, and then he brushed his teeth without throwing up.
When he returned to the bedroom, the vodka and orange was no longer there, which was a relief to Fat Charlie, who had started to hope that she might have been an alcohol-induced delusion, like pink elephants or the nightmarish idea that he had taken to the stage to sing on the previous evening.
He could not find his dressing gown, so he pulled on a tracksuit, in order to feel dressed enough to visit the kitchen, at the far end of the hall.
His phone chimed, and he rummaged through his jacket, which was on the floor beside the bed, until he found it, and flipped it open. He grunted into it, as anonymously as he could, just in case it was someone from the Grahame Coats Agency trying to discern his whereabouts.