“Look, you don’t even need me,” he says.
“As if. How else would I know how to ask for the large dildo? I mean, that’s a really important distinction.”
Ansel barks out a laugh, his eyes wide in surprise, his hands flying to his mouth to stifle the sound. A few of the other diners turn in our direction, but nobody seems to have minded his outburst.
“You’re a bad influence,” he says once composed, and reaches for his wine.
“Me? I’m not the one who left the translation for dildo on a note one morning, so . . . glass houses, Dimples.”
“But you did find the costume shop,” he says to me over his glass. “And I must say I owe you endlessly for that.”
I feel my face warm under his gaze, under the implied meaning of his words. “True,” I admit in a whisper.
Our food comes and beyond the occasional satisfied groan or voicing my intent to bear the chef’s children, we’re mostly silent while we eat.
The empty plates are cleared away and Ansel orders dessert for us to share: fondant au chocolat—which looks a lot like a fancy version of the chocolate lava cake we have at home—served warm with a pepper-vanilla ice cream. Ansel moans around his spoon.
“It’s a little obscene watching you eat that,” I say. Across the table he’s closed his eyes, humming around the spoon in his mouth.
“It’s my favorite,” he says. “Though not as good as the one my mother makes for me when I visit.”
“I always forget you said she went to culinary school. I can’t actually think of a dessert my mom didn’t buy from the store. She’s what I like to refer to as domestic-lite.”
“One day when I’m visiting you in Boston we’ll drive to her bakery in Bridgeport and she’ll make you anything you want.”
I can practically hear the proverbial brake noises squealing in both of our thoughts. A distinct roadblock has just risen in the conversation, and it sits there, flashing obnoxiously and unable to be ignored.
“You have two more weeks here?” he asks. “Three?”
The phrase you could ask me to stay pops into my head before I can stop it because no, that’s—no—really the worst idea, ever.
I keep my head down, eyes on the plate between us, swirling chocolate sauce into a puddle of melting vanilla ice cream. “I think I should probably leave in two. I need to find an apartment, register for classes . . .” Call my father, I think. Find a job. Build a life. Make friends. Decide what I want to do with my degree. Try to find a way to be happy with this decision. Count the seconds until you come see me.
“Even though you don’t want to.”
“No,” I say blankly. “I don’t want to spend the next two years of my life in school so I can go to an office I hate with people who’d rather be anywhere but where they are and stare at four walls of a boardroom one day.”
“That was a very in-depth description,” he notes. “But I think your impression of business school is maybe a little . . . misinformed. You don’t have to end up in that life if you don’t choose it.”
I set my spoon down and lean back into my chair. “I lived with the world’s most dedicated businessman my entire life, and I’ve met all of his colleagues and most of their colleagues. I’m terrified of becoming what they are.”
The bill comes and Ansel reaches for it, all but slapping my hand away. I frown at him—I can take my . . . husband out to dinner—but he ignores me, continuing where he left off.
“Not every businessman or -woman is like your father. I just think that maybe you should . . . consider other uses for your degree. You don’t have to follow his path.”
THE WALK HOME is quiet, and I know it’s because I haven’t responded to what he’s said and he doesn’t want to push. He’s not wrong; people use business degrees for all kinds of interesting things. The problem is I don’t know yet what my interesting thing is.
“Can I ask you something?” I ask.
He hums, looking down at me.
“You took the job at the firm even though it’s not really what you want to do.”
Nodding, he waits for me to finish.
“You don’t really like your job.”
“No.”
“So what is your dream job?”
“To teach,” he says, shrugging. “I think corporate law is fascinating. I think law in general is fascinating. How we organize morals and the vague cloud of ethics into rules, and especially how we build these things when new technology comes up. But I won’t be a very good teacher unless I’ve practiced, and after this position, I’ll be able to find a faculty spot nearly anywhere.”
Ansel holds my hand the few blocks to our apartment, pausing once or twice to bring my fingers to his lips and kiss them. The headlight from a passing scooter glints off the gold of his wedding band, and I feel my stomach contract in on itself, a feeling of dread settling heavily there. It’s not that I don’t want to stay in Paris—I love it here—but I can’t deny I miss the familiarity of home, speaking to people in a language I understand, my friends, the ocean. Yet I’m beginning to realize I don’t want to leave him, either.
He insists we tuck into the little bistro on the corner for a coffee. I’ve grown used to what Europeans refer to as coffee—intense, small pours of the most delicious espresso—and other than Ansel, I’m sure this is the one thing I will miss most about the city.
We sit at a tiny table outside and under the stars. Ansel slides his chair so close to mine his arm has nowhere to rest but around my shoulders.
“Do you want to meet some of my friends this week?” he asks.
I look at him in surprise. “What?”
“Christophe and Marie, two of my oldest friends, are having a dinner party to celebrate her new promotion. She works for one of the larger firms in my building, and I thought maybe you’d like to come. They’d love to meet my wife.”
“That sounds good.” I nod, smiling. “I’ve been hoping to meet some of your friends.”
“I realize I should have done this earlier but . . . I admit that I was being selfish. We have so little time together and I didn’t want to share that with anyone.”
“You’ve been working,” I say on an exhale as he basically repeats my conversation with Harlow back to me.
He reaches for my hand, kisses the back of my knuckles, my ring, before twisting his fingers with mine. “I want to show you off.”
Okay. Meeting friends. Being introduced as his wife. This is real life. This is what married couples do. “Okay,” I say lamely. “That sounds fun.”
He grins and leans forward, placing a kiss against my lips. “Thank you, Mrs. Guillaume.” And wow, the dimple, too. I am toast.
The waitress stops at our table and I sit back in my seat while Ansel orders our coffee. There’s a group of young girls—around eight or nine years old—dancing to a man playing the guitar just outside. Their laughter bounces off the cramped buildings, above the sound of occasional cars or the fountain splashing just across the street.
One of them is spinning and tips over, landing just below the small deck we’re sitting on.
“Are you okay?” I ask, stepping down to help her.
“Oui,” she says, brushing the dirt from the front of her checkered dress. Her friend crosses to us, and though I’m not sure what she says, the way she stretches her arms to the side, and speaks to her in a scolding tone, I think she’s telling her she did her turn wrong.
“Are you trying to turn?” I ask, but she doesn’t respond, merely watches me with a confused expression. “Pirouette?”
At this she lights up. “Oui,” she says excitedly. “Pirouette. Tourner.”
“Spin,” Ansel offers.
She straightens her arms to the side, points her toe, and spins, so quickly she almost falls down again.
“Whoa,” I say, both of us laughing as I catch her. “Maybe if you . . . um.” Straightening, I pat my stomach. “Tighten.”
I turn to Ansel, who translates, “Contracte tes abdominaux.” The little girl makes a face of concentration, one I can only imagine means she’s clenching her stomach muscles.
More of the girls have gathered to listen and so I take a second, moving them so they’ll have enough room. “Fourth position,” I say, holding up four fingers. I point my left foot out, my right foot next to and behind. “Arms up, one to the side, one out front. Good. Now plié? Bend?” They each bend at the knees and I nod, subtly guiding their posture. “Yes! Good!” I point to my eyes and then to a spot off in the distance, partially aware of Ansel translating behind me.
“You have to spot. Find one place and don’t look away. So when you turn”—I straighten, bend at the knees, and then push up off the ball of my foot before spinning, landing on plié—“you’re back where you started.” It’s such a familiar movement, one I haven’t felt my body do for so long that I almost miss the sound of cheering, the loudest of them coming from Ansel. The girls are practically giddy and taking turns, encouraging each other and asking me for help.
It’s getting late and eventually, the girls have to leave. Ansel takes my hand, smiling, and I glance over my shoulder as we walk away. I feel like I could have watched them all night.
“That was fun,” he says.
I look over at him, still smiling. “What part?”
“Seeing you dancing like that.”
“That was one turn, Ansel.”
“It might be the single sexiest thing I’ve ever seen. That is what you should be doing.”
I sigh. “Ansel—”
“Some people go to business school and run movie theaters or restaurants. Some own their own bakery, or dance studio.”
“Not you, too.” I’ve heard this before, from Lorelei, from Harlow’s entire family. “I wouldn’t know the first thing about that.”
He makes a point of looking over his shoulder, back in the direction we just came. “I respectfully disagree.”
“Those things take money. I hate taking money from my father.”
“Then why do you take money from him if you hate it?” he asks.
I throw the question back at him. “You don’t take money from your father?”
“I do,” he admits. “But I decided long ago it’s the only thing he’s good for. And a few years ago, when I was your age, I didn’t want my mother to feel like she needed to support me.”
“I don’t have enough money to live in Boston without his help,” I tell him. “And I guess in a way . . . I feel like he owes me this, since in the end I’m doing what he wants.”
“But if you’re doing what you want—”
“It’s not what I want.”
He pulls us to a stop and holds up a hand, not even a little fazed by the weight of this conversation. “I know. And I’m not really thrilled at the idea that you will leave me soon. But putting that aside, if you went to school, did something you wanted to do with it, you would make the decision yours, not his.”
I sigh, looking back down the street.
“Just because you can’t dance professionally doesn’t mean you have to stop dancing for a living. Find the spot in the distance and don’t look away, isn’t that what you told those girls? What is your ‘spot’? Finding a way to keep dance in your life?”
I blink away, back down the block to where the girls are still twirling and laughing. His spot is teaching law. He hasn’t taken his eyes off that point since he started.
“Okay, then.” He appears to take my silence as passive agreement. “Do you train to be a teacher? Or do you learn to run your own business? Those are two different paths.”
The idea of having a dance studio makes a warring reaction explode in my belly: elation, and dread. I can barely imagine anything more fun, but nothing would cut off my relationship with my family more thoroughly than that.
“Ansel,” I say, shaking my head. “Even if I want my own studio, it’s still about getting started. He was going to pay for my apartment for two years while I got my degree. Now he’s not speaking to me and there is no way he’d get on board with that plan. There’s something about dance for him . . . it’s as if he doesn’t like it on a visceral level. I’m realizing now that, whatever I do, I’ll have to make it work without his help.” I close my eyes and swallow thickly. I’ve taken such a profound mental vacation from the reality of my future that I’m already exhausted after only this tiny discussion. “I’m glad I came here. In some ways it’s the best decision I ever made. But it’s made things more complicated in some ways, too.”
He leans back, studies me. I adore playful Ansel, the one who winks at me across the room for no reason, or talks lovingly to my thighs and br**sts. But I think I might love this Ansel, the one who seems to really want what’s best for me, the one who is clearly brave enough for both of us. “You’re married, no?” he asks. “You have a husband?”