“A small glass, please.”
I pour her a little more Sancerre. I don’t want either of us to drink too much if we’re going to play.
“How’s the, um…situation that brought you to Seattle?”
Leila. Shit. This I do not want to discuss. “Out of hand. But nothing for you to worry about, Anastasia. I have plans for you this evening.”
I want to see if we can play this so-called arrangement of ours both ways.
“Oh?”
“Yes. I want you ready and waiting in my playroom in fifteen minutes.” I stand up, watching her closely to gauge her reaction. She takes a quick sip of her wine, her pupils widening. “You can get ready in your room. Incidentally, the walk-in closet is now full of clothes for you. I don’t want any arguments about them.”
Her mouth sets in a surprised o. And I give her a stern look, daring her to argue with me. Remarkably, she says nothing, and I head off to my study to send a quick e-mail to Ros telling her I want to start the process to acquire SIP as soon as possible.
I scan a couple of work e-mails, but see nothing in my inbox about Mrs. Reed. I put thoughts of Leila out of my mind; she’s preoccupied me for the last twenty-four hours. Tonight I’m going to focus on Ana—and have some fun.
When I return to the kitchen Ana’s disappeared; I presume she’s getting ready upstairs.
In my closet I remove my robe and slip on my favorite jeans. As I do, images of Ana in my bathroom come to mind—her flawless back, then her hands pressed against the tiles while I fucked her.
Boy, the girl has stamina.
Let’s see how much.
With a sense of exhilaration I collect my iPod from the living room and bolt upstairs to the playroom.
When I find Ana kneeling as she should be at the entrance facing the room—eyes down, legs parted, and wearing only her panties—my first feeling is one of relief.
She’s still here; she’s game.
My second is pride: she has followed my instructions to the letter. My smile is hard to hide.
Miss Steele does not back down from a challenge.
Closing the door behind me, I note that her bathrobe has been hung up on the peg. I walk past her barefoot and deposit my iPod on the chest. I’ve decided that I’m going to deprive her of all her senses but touch, and see how she fares with that. The bed has been made up with satin sheets.
And the leather shackles are in place.
At the chest I take out a hair tie, a blindfold, a fur glove, earbuds, and the handy transmitter that Barney designed for my iPod. I lay out the items in a neat row, plugging the transmitter into the top of the iPod, letting Ana wait. Anticipation is half the buildup to a scene. Once I’m satisfied I go and stand over her. Ana’s head is bowed, the ambient light burnishing her hair. She looks modest and beautiful, the epitome of a submissive.
“You look lovely.” I cup her face and tilt her head up until blue eyes meet gray. “You are one beautiful woman, Anastasia. And you’re all mine,” I whisper. “Stand up.”
She’s a little stiff as she gets to her feet. “Look at me,” I order, and when I look into her eyes I know I could drown in her serious, rapt expression. I’ve got her full attention. “We don’t have a signed contract, Anastasia. But we’ve discussed limits. And I want to reiterate we have safe words, okay?”
She blinks a couple of times, but remains mute.
“What are they?” I demand.
She hesitates.
Oh, this will never do.
“What are the safe words, Anastasia?”
“Yellow.”
“And?”
“Red.”
“Remember those.”
She raises an eyebrow in obvious scorn, and is about to say something.
Oh no. Not in my playroom.
“Don’t start with your smart mouth in here, Miss Steele. Or I will fuck it with you on your knees. Do you understand?”
As pleasing as that thought is, her obedience is what I want right now.
She swallows her chagrin.
“Well?”
“Yes, Sir,” she says quickly.
“Good girl. My intention is not that you should use the safe word because you’re in pain. What I intend to do to you will be intense. Very intense, and you have to guide me. Do you understand?”
Her face remains impassive, giving nothing away.
“This is about touch, Anastasia. You will not be able to see me or hear me. But you’ll be able to feel me.” Ignoring her confounded look, I turn to the audio player above the chest and switch it to auxiliary mode.
I just have to choose a song; and in that moment I recall our conversation in the car after she’d slept in my bed at The Heathman. Let’s see if she likes some Tudor choral music.
“I am going to tie you to that bed, Anastasia. But I’m going to blindfold you first and”—I show her the iPod—“you will not be able to hear me. All you will hear is the music I’m going to play for you.”
I think it’s surprise I see registering on her face, but I’m not sure.
“Come.” I lead her to the foot of the bed. “Stand here.” Leaning down, I breathe in her sweet scent and whisper in her ear, “Wait here. Keep your eyes on the bed. Picture yourself lying here, bound and totally at my mercy.”
She sucks in her breath.
Yes, baby. Think about it. I resist the temptation to plant a soft kiss on her shoulder. I need to braid her hair first and fetch a flogger. From the top of the chest I grab the hair tie, and from the rack I select my favorite flogger, which I stuff into the back pocket of my jeans.
When I return to stand behind her, I gently take her hair and braid it. “While I like your pigtails, Anastasia, I am impatient to have you right now. So one will have to do.” I fasten and tug on the braid so she’s forced to step back against me. Winding the end around my wrist, I pull to the right, bending her head to expose her neck. I run my nose from her earlobe to her shoulder, sucking and biting gently.